Going back to India

Some of you may recall that I spent a couple of weeks in India - eleven days in fact - at the start of this year for a wedding. It was an amazing, crazy, stressful, overwhelming, exciting visit. India is one of those places that doesn't do well in short visits. You spend a lot of time sitting in traffic, looking at your watch, or at the airport waiting for a delayed internal flight. Not to mention that trying to understand such a new and different place as India in less than two weeks isn't very realistic. I saw some amazing things, but I also felt bewildered a lot of the time.

The upshot of it all is, that after taking a break from my studies after one hectic semester of textile design, I have decided to go back to India. It has been more an impulse than a carefully considered plan. I feel like I need to go somewhere that is completely not like Melbourne, that will take me out of my comfort zone and throw me into some challenging and unexpected situations. And I like the idea of going somewhere that values introspection and meditation as a new (for me, anyway) way of approaching life.

India is also an amazing place to see textiles. The birthplace of paisley and so many other motifs that are part of our everyday attire these days, last time I was there I saw so much colour, and pattern, and cloth, everywhere I went. If this doesn't inspire me to return to textiles, I don't know what will!

I'm heading off on my big adventure in just a few days time. I'll try to post blogs when I get a chance, and in the meantime I wish you all success and enjoyment in your creative endeavours! I'll be back in December.

An Indian wedding

I was lucky enough to travel to India recently for a close friend's wedding. She and I have known each other since we were fourteen, so it was really lovely to be there to see her get married. And it was a privilege to be part of an Indian wedding in the extraordinary city of Calcutta.

One part of the wedding I was particularly inspired by was the henna ceremony, or mehendi, where the bride (and in this case, several of the bride's friends) had her forearms, hands and feet covered in delicate henna patterns. The artist drew all the patterns freehand, and altered her styles depending on the person. She used the henna pen skilfully to change the pattern with thinner and thicker applications at different points.

Each part of the wedding involved the bride wearing a different sari - some more casual, some more formal, and some, like the saffron coloured sari seemed intentional for the purpose of the ceremony (a turmeric bath). My friend's relatives helpfully explained the ceremonies to the few of us foreigners attending.

The final part of the wedding began at 11:30 at night on the first day of 'wedding season'. Seven of us piled  into a car designed for a smaller number of people, and drove through the streets of Calcutta to the wedding, passing by many 'wedding houses' decorated with lights and big signs, and spotting many wedding cars decked out in flowers and ribbons. We arrived at the house around 9pm, to be fed and to visit the bride and groom, each sitting in different rooms on different levels of the house.

At around 11:30 we gathered in a room on the top floor of the house, where the groom was brought in and after sitting down with the priest, and being given a special hat for the ceremony, was guided to stand on a rather large stone. The bride was carried in by her male relatives, and carried around the groom several times (possibly seven) amidst shouting and laughter by many of the onlookers. The bride and groom then exchanged garlands, before being seated on the floor. Several ceremonies ensued, culminating in the fire - the witness to the ceremony - around which they walked seven times. Finally the bride and groom rolled a stone along seven leaves, and then vermillion was placed on the bride's forehead to signify that she was now a married woman.

I was inspired by all the colours, images and patterns used in the wedding. Everything was so heavily decorated and so many different patterns and colours were used together, something you rarely see in more austere Western style designs, and certainly Western weddings. It has given me lots of ideas!